This is another symmetric scale, sometimes called the “Minor Third Minor Second” Scale, because of the interval between the tones in the scale.
The scale is constructed by taking an Augmented triad, then giving each tone a leading note. This creates a 6 note scale with 3 notes having a root function and 3 having a leading note function.
Drawing the intervals out, we have…
Lets map this out for the Guitar. There are 2 approaches to fingering this scale. The first is really very simple and that is to use 2 notes per string. As you’ll see in a moment that creates 2 very simple shapes that are really straight forward to remember.
The second approach is to stay in position and play the notes that fall under your fingers. That creates 4 different scale patterns, which have their own symmetry. This second method creates patterns that, in my experience, seem to mesh better with other scale forms, but need a bit more work to get fluent with.
Drawing them out, we have…
I’ve highlighted the notes with a “root” function in black.
If you’re interested in really exploring this scale in detail. The best book I’ve found on the subject is definitely this one…
The Augmented Scale In Jazz: A Player’s Guide
Enjoy!
Written by admin
Topics: Scales, Symmetric