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Add Chromatic Lines to your Guitar Solos

31 December 2010

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There’s nothing like being able to burst out a tight cluster of chromatic notes to add a new color or texture to your guitar solos, but there is more to it than just flying around the Chomatic scale. If you ever tried to do this in the context of a guitar solo, then the chances are [...]

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Applying Quartal Arpeggios

28 December 2010

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Ok, a while ago I talked about the theory behind Quartal Arpeggios and some handy fingerings for them. This time I want to put them into context, so you can hear what they sound like, and start applying them in your own guitar improvisations. So let’s start with a single arpeggio shape. This is one that I [...]

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Minor 7th Pentatonic Substitutions for Minor 7th Chords.

22 December 2010

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Following on from my previous article Minor 7th Pentatonic Substitutions for Major 7th Chords. I’d like to extend that idea to talk about various ways of using Minor 7th pentatonics to create tone colours. This time let’s analyse some simple natural Minor scales looking for pairs of Minor 7th chords. Let pick E Minor as a [...]

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Minor 7th Pentatonic Substitutions for Major 7th Chords.

5 June 2010

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This is a different way of using the Minor 7th Pentatonic to get some feels, sounds and tensions that are a little different than you’d normally expect from this old favorite of Guitarists. There are many approaches to this technique the one I’m going to talk about this time starts with the concept of Polychords. Polychords The concept [...]

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Quartal Harmony for the Guitarist

20 May 2010

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If you want to get to the arpeggio charts, click here: Quartal Arpeggio Charts Background Standard Western musical harmony is based on stacked thirds. So for example a C Major Chord is made by playing a “C”, the note a third above that which would be an “E” then the note a third above that which would [...]

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